stream of energy, that will kill ("on
a molecular level") two third of
the Earth's inhabitants, those not
good enough to live in the great
future prepared by the Universal
Mind for the one third left;
It is decided by the Wisest of the
Universe, who are the Gods,
immortal and undefeated. They
came to the Earth as human
beings to warn us of the future
They are almighty Gods, they
have cures for all diseases (even
for Aids);
Here on Earth only they have real
knowledge. The messengers of
the Wisest of the Universe, name-
ly Natalia Nazyrova (the speak-
er) and Vladimir Zonov that is the
Russian Center of Reiki 'Caducei';
All the people, all presidents and
of the Earth
must obey
their orders
they will get
There are three levels of initiation.
It costs 700 thousand roubles
(about $ 130) 4o take the first
level; 2 million roubles for the
second and $1000 for the third
level. The act of initiation means
thirty seconds of intercommunica-
tion with the Master. Some peo-
ple start to remember their home
planets right after taking the first
level of initiation.
"Tetris": The Rules of
the Game
It's a trio. Vlad Lozinsky played
independent rock with bands like
Obermaneken and Matrosskaya
Tishina and then /\ushrooms.
Pavel Khotin was a well-known
keyboards player with Zvuki Mu
and then with Alexey Pavlov in
MD&C Pavlov. Dmitry Rubezhov
never played with bands before
P: Why Tetris?
V: Modern music is made with
sampler. Doesn't it remind you of
playing Tetris?
P: When did you put through the
first layer?
V: When I was little I made up
my own sampler. I was 13 or
14.1 told my brother, a bass
player, of my invention when he
П о д го то в ка
сп ец и ал и стов
came back from America. He
said: "You are late, buddy. E-MU
Systems already made this thing."
I wanted to have it and made
loops and collected sounds. I knew I will have
P: Your music is a collective work?
V: W e make a track until everyone of us likes
D: W e feel what should sound at a particular
moment. Especially Pavel knows where to start.
And our goal is not to let him fly away.
P: Who is the author of your tracks?
Pavel: Vlad. 99%.
P: Planning to release your music?
D: W e are working out vinyl releases. The first single will be printed pretty
soon. I think Russian listener is more educated than a Western. So it's kinda
good to be the pioneers.
P: Good music in Russia is made by "the old guys".
V: Young people's need for simple styles, like trance and hardcore, is easy
to comprehend. They have to get rid of their energy hence their need for
something real fast.
P: What do you think of DJing?
V: Most of the D)s in the West make their own music. It's easy to play some-
one else's music. Like playing Tetris. But some use their DJ tricks, add sam-
pler and some just play their records one after another.
P: Musicians don't like to pigeon-hole their music. What about you?
V: I'd call our style "progressive eclectic". It's the way it is. W e like many
things. Our global idea is that music should be built up on the following
basic concepts: ethnic aspect, modern electronic approach, trance and sym-
phonic elements.
Pavel: Trance is not the style here. It's a taste in music. If there is no trance in
the music it's either experimental or bad music. My preferences are closer to
"danceable jazz": acid-jazz, breakbeat, trip-hop.
D: Not styles but energy that is what important. If you feel the energetic
motion you are on the right way. This is what you call drive or groove.
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